Emily Swallow

Swallow started her career with Broadway theatre, where she performed in various productions, including High Fidelity, King Lear, The Taming of the Shrew, A Midsummer Night's Dream, Cat on a Hot Tin Roof at the Guthrie Theater, Much Ado About Nothing for Shakespeare in the Park, and the first-ever off-Broadway world premieres of shows Romantic Poetry and Measure for Pleasure. Swallow made her debut in film with 2008's military drama The Lucky Ones. She has appeared in several world premieres, such as Donald Margulies' The Country House in Los Angeles' Geffen Playhouse; Louis Jenkins' Nice Fish in Minneapolis' Guthrie Theatre opposite Mark Rylance[citation required] John Patrick Shanley's Romantic Poetry in Manhattan Theater Club. (citation needed) In the year 2010 in recognition of her performance as Kate in The Taming of the Shrew The Taming of the Shrew, she was awarded the Falstaff Award. Swallow and Jac Huberman, who is a comedian/singer, came up with a stage production called Jac N Swallow in 2012. They performed the show in New York's Laurie Beeckman Theater, and Joe's Pub. The show's comedy misadventures revolve on the two of them as they face different challenges in life with various degrees of dignity and morality. They are developing a series based on the characters. In 2013, she worked alongside Mark Rylance and poet Louis Jenkins in the premiere in world-wide of Nice Fish at the Guthrie Theater. In 2016, she played the role in the role of Ayad Akhtar in Disgraced by Center Theatre Group. Her first TV part was on Guiding Light, and she later played parts on Southland, Ringer, The Good Wife, NCIS, Flight of the Conchords, Medium, as series regular the character Dr. Michelle Robidaux on TNT's medical drama Monday Mornings[2] and Rizzoli and Isles. She played FBI agents Kim Fischer as a leading character as Kim Fischer in The Mentalist. In the 11th season of Supernatural In 2015, she was cast in the role of Amara - "the Darkness". In 2019, she'll play the role of Armorer who is the leader of traditionalist Mandalorians on Star Wars' The Mandalorian. The character's face is not shown in the series since traditionalists are not allowed to remove their helmets in view of others. The face is more prominent in Season 3 because the emphasis of the Mandalorian and its people has grown. Emily Emily Emily

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